Thursday, November 12, 2009

New book highlights 11/12/2009

Identifying wood : accurate results with simple tools

R. Bruce Hoadley
Taunton Press, c1990







With a naked eye or microscope you will be able to identify 180 hardwoods, softwoods amd tropical woods by following the straightforward techniques described in this text


The Grid Book
Hannah B Higgins
MIT Press, 2009









Emblematic of modernity, the grid gives form to everything from skyscrapers and office cubicles to Mondrian paintings and bits of computer code. And yet, as Hannah Higgins makes clear in this wide-ranging and revelatory book, the grid has a history that long predates modernity; it is the most prominent visual structure in Western culture. In The Grid Book, Higgins examines the history of ten grids that changed the world: the brick, the tablet, the gridiron city plan, the map, musical notation, the ledger, the screen, moveable type, the manufactured box, and the net. Charting the evolution of each grid, from the Paleolithic brick of ancient Mesopotamia through the virtual connections of the Internet, Higgins demonstrates that once a grid is invented, it may bend, crumble, or shatter, but its organizing principle never disappears.

The appearance of each grid was a watershed event. Brick, tablet, and city gridiron made possible sturdy housing, the standardization of language, and urban development. Maps, musical notation, financial ledgers, and moveable type promoted the organization of space, music, and time, international trade, and mass literacy. The screen of perspective painting heralded the science of the modern period, classical mechanics, and the screen arts, while the standardization of space made possible by the manufactured box suggested the purified box forms of industrial architecture and visual art. The net, the most ancient grid, made its first appearance in Stone Age Finland; today, the loose but clearly articulated networks of the World Wide Web suggest that we are witnessing the emergence of a grid of unprecedented proportions—one so powerful that it is reshaping the world, as grids do, in its image.


Introducing Wittgenstein
John Heaton, Judy Groves, Richard Appignanesi
Icon Books, 2005









In Introducing Wittgenstein we meet a strange man, a rigorous logician who prized poetry above philosophy, who inherited a fortune and gave it away, who sought death in the trenches of the First World War, a great teacher who advised his students to give up philosophy, a solitary man who nonetheless inspired lifelong friendships. We are also given a clear and accessible guide to Wittgenstein's central works.


Introducing Foucault
Christopher Horrocks, Zoran Jevtic
Totem Books, 2009





Michel Foucault's work was described at his death as 'the most important event of thought in our century'. As a philosopher, historian and political activist he certainly left behind an enduring and influential body of work, but is this acclaim justified? Foucault places his work in its turbulent philosophical and political context, and critically explores his mission to expose the links between knowledge and power in the human sciences, their discourses and institutions.


Fear of art : censorship and freedom of expression in art
Moshe Carmilly-Weinberger
New York : Bowker, 1986


Russian jewellery : mid-19th century-20th century
Alekseĭ Karpun
Moskva : Beresta, 1994


The complete graphic works of William Blake
David Bindman
Thames and Hudson, 1986, c1978


Francisco Goya : Caprichos: their hidden truth
Oto Bihalji-Merin
Harcourt Brace Jovanovich, 1981, c1980