Ghost worldDaniel Clowes
Fantagraphics Books, c2008
A commemorative tenth anniversary expanded edition of a classic graphic work combines the original novel with its Oscar-nominated screenplay adaptation, the rarely seen comic strip created for the Ghost World soundtrack, and more than two dozen pages of rare and obscure bonus material.
Dan Clowes described the story in Ghost World as the examination of "the lives of two recent high school graduates from the advantaged perch of a constant and (mostly) undetectable eavesdropper, with the shaky detachment of a scientist who has grown fond of the prize microbes in his petri dish." From this perch comes a revelation about adolescence that is both subtle and coolly beautiful. Critics have pointed out Clowes's cynicism and vicious social commentary, but if you concentrate on those aspects, you'll miss the exquisite whole that Clowes has captured. Each chapter ends with melancholia that builds towards the amazing, detached, ghostlike ending.
Masters of deception: Escher, Dalí & the artists of optical illusionAl Seckel
Sterling Publishing Company, Inc., 2004
Rings of seahorses that seem to rotate on the page. Butterflies that transform right before your eyes into two warriors with their horses. A mosaic portrait of oceanographer Jacques Cousteau made from seashells. These dazzling and often playful artistic creations manipulate perspective so cleverly that they simply outwit our brains: we can't just take a quick glance and turn away. They compel us to look once, twice, and over and over again, as we try to figure out exactly how the delightful trickery manages to fool our perceptions so completely. Of course, first and foremost, every piece is beautiful on the surface, but each one offers us so much more. Some, including Sandro del Prete's charming "Window Gazing", construct illusionary worlds where normal conceptions of up, down, forward, and back simply have no meaning anymore. Others, such as Jos De Mey's sly "Ceci n'est pas un Magritte", create visual puns on earlier work. From Escher's famous and elaborate "Waterfall" to Shigeo Fukuda's "Mary Poppins", where a heap of bottles, glasses, shakers, and openers somehow turn into the image of a Belle Epoque woman when the spotlight hits them, these works of genius will provide endless enjoyment and food for thought.
Jim Dine prints, 1985-2000: a catalogue raisonnéElizabeth Carpenter
Minneapolis Institute of Arts, 2002
One of the most recognizable of American artists, and one of America's most innovative printmakers, Jim Dine has created a multidisciplinary oeuvre tied together by his continued use and reinvention of familiar imagery. Hearts, bathrobes, skulls, tools, the Crommelynck gate, Venus de Milo, self-portraits, plants, and flowers -- Dine infuses these personal metaphors with new meanings and continually depicts them in novel and diverse contexts. Some of these motifs have become recognized as clearly symbolic: the bathrobe figures as a self-portrait, the heart as a symbol of his love for wife Nancy. Over time, Dine has added new images to his iconic repertory. Mountains, ancient Greco-Roman sculpture, owls, hands, trees, apes, Pinocchio, and ravens figure prominently in the prints he has made since 1985. This catalogue raisonne fully documents Dine's evolving imagery and technical experimentation from the late 80s through the millennium, including his limited-edition illustrated books, and establishes his absolute maturity as an artist. A glossary of printmaking terms, a selected print exhibition history and bibliography, and a discussion of his poetry and literary leanings make this catalog complete.
Heat waves in a swamp : the paintings of Charles Burchfield Robert Gober
Del Monico Books/Prestel, 2009
Working almost exclusively in watercolour, Charles Burchfield (1893-1967) focused on his immediate surroundings-his garden, the views from his windows, snow turning to slush, sudden atmospheric changes, or the forest at dusk. He often imbued these subjects with highly expressionistic light, creating at times a clear-eyed description of the world and at other times, a unique mystical and visionary experience of nature. The book includes drawings from his 1917 sketchbook, Conventions for Abstract ThoughtsA"; watercolors from 1916-18 that were the focus of the first one-person exhibition at The Museum of Modern Art, New York, in 1930; camouflage designs from his tour in the army and wallpaper designs from the 1920s; watercolors from the 1940s showing the artist's unique technique of expanding and reworking earlier works by pasting large strips of paper around them to dramatically increase their size; and finally Burchfield's large, transcendental watercolours from the 1950s and 1960s.
Solar system & rest rooms: writings and interviews, 1965-2007Mel Bochner
MIT Press, 2008
Artist Mel Bochner became a writer, he says, almost by accident. In 1965, as a young artist in New York, he was out of a job; Arts Magazine paid him $2.50 for every review he turned in, whether they published it or not; a month of review-writing paid his rent—$28.00 a month. His reviews and articles provoked a range of unexpected reactions. "At that time, artists who wrote were looked at suspiciously, as if writing somehow tainted their visual practice," he writes. A painter friend attacked him publicly for "joining the enemy." Bochner soon began testing the boundary between writing-as-criticism and writing-as-visual-art. Solar System & Rest Rooms collects both Bochner's writings on art and his writings as art, offering more than fifty pieces—reviews, art criticism, theoretical texts, interviews, catalog statements, notecards, and his groundbreaking "magazine interventions"—many reproduced in facsimile.
Bochner is a leading figure in conceptualism; his 1966 installation at the School of Visual Arts Gallery Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art is considered to be the earliest exhibition of conceptual art. Solar System & Rest Rooms chronologically documents the work and ideas of this important artist over a span of forty years, as well as providing a unique perspective on the conceptual and post-minimal art scene in New York. This book offers a rare insight into what it means to be an artist whose visual practice is inseparable from the sustained practice of writing.
Regeneration : 50 photographers of tomorrow 2005--2025
William A. Ewing
New York, NY : Aperture, c2005
